![? Oslo Philharmonic Chamber Group - Clarinet Trios: Schumann; Bruch; Mozart (2019) [FLAC 24-192] Download](https://i0.wp.com/imghd.xyz/images/2022/07/29/lmlai71a9k8ia_600.jpg?ssl=1)
Artist: Oslo Philharmonic Chamber Group
Album: Clarinet Trios: Schumann; Bruch; Mozart
Genre: Classical
Year: 2019
Label: Lawo Classics
Tracks: 15
Duration: 01:08:11
Format: FLAC (tracks) 24bit, 192 kHz
Size: 2,30 GB
Tracklist:
01. Oslo Philharmonic Chamber Group – Märchenerzählungen Op. 132: I. Lebhaft, nicht zu schnell (00:02:54)
02. Oslo Philharmonic Chamber Group – Märchenerzählungen Op. 132: II. Lebhaft und sehr markiert (00:03:15)
03. Oslo Philharmonic Chamber Group – Märchenerzählungen Op. 132: III. Ruhiges Tempo, mit zartem Ausdruck (00:03:53)
04. Oslo Philharmonic Chamber Group – Märchenerzählungen Op. 132: IV. Lebhaft, sehr markiert (00:04:38)
05. Oslo Philharmonic Chamber Group – Acht Stücke Op. 83: I. Andante (00:03:48)
06. Oslo Philharmonic Chamber Group – Acht Stücke Op. 83: II. Allegro con moto (00:02:28)
07. Oslo Philharmonic Chamber Group – Acht Stücke Op. 83: III. Andante con moto (00:06:31)
08. Oslo Philharmonic Chamber Group – Acht Stücke Op. 83: IV. Allegro agitato (00:03:33)
09. Oslo Philharmonic Chamber Group – Acht Stücke Op. 83: V. Andante (00:04:24)
10. Oslo Philharmonic Chamber Group – Acht Stücke Op. 83: VI. Andante con moto (00:05:30)
11. Oslo Philharmonic Chamber Group – Acht Stücke Op. 83: VII. Allegro vivace, ma non troppo (00:03:20)
12. Oslo Philharmonic Chamber Group – Acht Stücke Op. 83: VIII. Moderato (00:05:05)
13. Oslo Philharmonic Chamber Group – Trio K. 498: I. Andante (00:05:15)
14. Oslo Philharmonic Chamber Group – Trio K. 498: II. Menuetto (00:05:21)
15. Oslo Philharmonic Chamber Group – Trio K. 498: III. Rondeaux allegretto (00:08:10)
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“Kegelstatt Trio”, heard on this CD, was composed in jovial company, in the context of a house concert at which Mozart himself played viola and Stadler clarinet. That Mozart composed “Kegelstatt Trio” while playing skittles is only partially true; “Kegelstatt” was added to the title of the trio in E-flat major sometime later. It can sound as though the three instruments in effect toss pins to each other in equal and elegant music making.
Schumann composed “Märchenerzählungen” in the spring of 1854, and his fairy tale images were composed in a three-day rush of creativity. The combination of instruments seemed to him very romantic, and he was clearly inspired by his dear friend Johannes Brahms. The four narratives do not refer to particular fairy tales, even though this time coincides with the publication of Grimms’ Fairy Tales. The antiquated, more inward style of Bruch’s eight pieces for clarinet, viola and piano is perhaps due to the fact that he was 70 years old and soon to retire when he composed the work. Almost all the movements are minor, with emphasis on deep pitch. The eight movements are different, without any connection. Each movement develops its own themes with ever new ideas, and Bruch’s enthusiasm for traditional folk music is evident in several of the movements.
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