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? Ozzy Osbourne – Black Rain (Bonus Track Version) (2007/2014) [FLAC 24-44.1]

? Ozzy Osbourne - Black Rain (Bonus Track Version) (2007/2014) [FLAC 24-44.1] Download

Artist: Ozzy Osbourne
Album: Black Rain (Bonus Track Version)
Genre: Metal
Year: 2007/2014
Label: Epic
Tracks: 12
Duration: 00:54:53
Format: FLAC (tracks) 24bit, 44,1 kHz
Size: 684 MB

Tracklist:
1-01. Ozzy Osbourne – Not Going Away (00:04:32)
1-02. Ozzy Osbourne – I Don’t Wanna Stop (00:03:59)
1-03. Ozzy Osbourne – Black Rain (00:04:42)
1-04. Ozzy Osbourne – Lay Your World on Me (00:04:16)
1-05. Ozzy Osbourne – The Almighty Dollar (00:06:57)
1-06. Ozzy Osbourne – 11 Silver (00:03:42)
1-07. Ozzy Osbourne – Civilize the Universe (00:04:43)
1-08. Ozzy Osbourne – Here for You (00:04:37)
1-09. Ozzy Osbourne – Countdown’s Begun (00:04:53)
1-10. Ozzy Osbourne – Trap Door (00:04:07)
1-11. Ozzy Osbourne – I Don’t Wanna Stop (00:03:43)
1-12. Ozzy Osbourne – Not Going Away (00:04:36)

Download:

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https://rapidgator.net/file/a6d05dc626855adff663e6e38a9a9a7a/0zzy0sb0urneBlackRain2007B0nusTrackVersi0n20142444.1.rar.html

https://nitroflare.com/view/31D5A9B48A9468B/0zzy0sb0urneBlackRain2007B0nusTrackVersi0n20142444.1.rar

https://xubster.com/yd1a47bt8pc9/0zzy0sb0urneBlackRain2007B0nusTrackVersi0n20142444.1.rar.html

Greatly admired by his contemporaries, Gabriel Dupont (1878-1914) studied with Massenet, then became a disciple of Vierne and Widor; he is one of those composers whose too-brief career prevented them from taking their merited place in the history of music. Despite suffering a chronic bout of tuberculosis in 1901, Dupont managed to enter for the Prix de Rome, obtaining a ‘second prize’ (ahead of Maurice Ravel). This composer has been partly rediscovered over the past few years – mainly his piano works,songs, and some rare chamber works – yet his symphonic music remain salmost entirely unknown. The compositions on this disc are the very first recorded collection of his complete orchestral repertoire, and they mark the course of Dupont’s brief creative years, from the three-part symphonic sketch Jour d’Été (1900), to the poignant Le Chant de la Destinée (1908), and including the orchestrated piano pieces Les Heures dolentes. Dupont’s language is a passionate synthesis of late 19th century French traditions with his quest for a new identity, a new path: one that weaves around the tracks of his contemporaries, sometimes crossing the border into German musical territory…

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