Artist: Orchester der J.S. Bach-Stiftung, Rudolf Lutz
Album: Bach im Fluss
Genre: Classical
Year: 2022
Tracks: 25
Duration: 00:50:44
Format: FLAC (tracks) 24 bit, 48 kHz
Size: 554 MB
Tracklist:
01. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Lutz: Präludium for Harpsichord (00:00:44)
02. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Ach wie flüchtig, ach wie nichtig, BWV 26 (Excerpts): VI. Ach wie flüchtig, ach wie nichtig (00:00:40)
03. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (00:02:45)
04. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Lutz: Interludium for Harpsichord & Chorale Fragments (00:01:46)
05. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Wo gehest du hin, BWV 166 (Excerpts): I. Wo gehest du hin (00:01:57)
06. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Wo gehest du hin, BWV 166 (Excerpts): IV. Gleichwie die Regenwasser bald verfließen (00:00:49)
07. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Lutz: Interludium for Harpsichord I (00:01:07)
08. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Ach wie flüchtig, ach wie nichtig, BWV 26 (Excerpts): I. Chorale fantasia. Ach wie flüchtig, ach wie nichtig (00:02:06)
09. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Ach wie flüchtig, ach wie nichtig, BWV 26 (Excerpts): II. So schnell ein rauschend Wasser schießt (00:02:21)
10. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane (00:01:21)
11. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Lutz: Interludium for Harpsichord II (00:01:04)
12. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane (Fast Version) (00:00:41)
13. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Ich hatte viel Bekümmernis, Pt. 1, BWV 21 (Excerpts): I. Sinfonia (00:03:21)
14. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Lutz: Interludium for Harpsichord III (00:00:51)
15. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Erschallet, ihr Lieder, BWV 172: V. Komm, laß mich nicht länger warten (00:04:31)
16. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Lutz: Überleitung Cello (00:00:14)
17. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Prelude & Fugue in C Major, BWV 846: I. Praeludium (00:02:08)
18. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Wachet auf, ruft uns die Stimme, BWV 140: IV. Zion hört die Wächter singen (00:03:36)
19. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Musikalisches Opfer, BWV 1079: Ricercar a 6 (00:06:59)
20. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Johannespassion, Pt. 2, BWV 245: No. 40, Ach, Herr, laß dein lieb Engelein (00:01:50)
21. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande (00:02:46)
22. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Der Himmel lacht! die Erde jubiliert, BWV 31 (Excerpts): IX. So fahr ich hin zu Jesu Christ (00:01:04)
23. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Der Himmel lacht! die Erde jubiliert, BWV 31 (Excerpts): I. Sonata (00:02:20)
24. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Lutz: Interludium for Harpsichord IV (00:00:19)
25. Orchester der J.S. Bach-Stiftung & Rudolf Lutz – Bach: Ich hatte viel Bekümmernis, Pt. 2, BWV 21 (Excerpts): XI. Das Lamm, das erwürget ist (00:03:12)
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Who, upon hearing Bach’s music, can fail to feel its powerful rhythmic momentum – indeed, the pulse of time itself? Yet behind this striking of the hour, there is a sense of eternity – a timeless sea from which all waters spring and whence they return, as was the worldview in Bach’s era.The “Bach im Fluss” (Bach and the river of time) programme was first conceived for the annual “Wort & Klang” (Word & Sound) concert cycle, whose 2011 leitmotif was “Strömungen” (currents). At the same time, it also formed part of the 25-year project of the J.S. Bach Foundation to perform and record the entire vocal oeuvre of Johann Sebastian Bach. The work was performed in the expansive halls of the Sitterwerk, a former industrial plant in St. Gallen. For centuries, the Sitter river powered machines at the site; today, it is a place of artistic creation, where bronze sculptures are cast for artists and museums throughout the world. The old boiler house is now home to monumental, archaic sculptures by Hans Josephsohn (1920‒2012): busts and human figures that exude an out-of-time quality. The works evolved over a long process of creation and, time and again, destruction ‒ never quite complete, as if awaiting their day of redemption.
The artistic concept for the programme was twofold, drawing on both a musical-rhythmic and a theological-textual idea.