? Orchestre Symphonique De La Monnaie, Patrick Davin – Philippe Boesmans: Pinocchio (2018) [FLAC 24-48]

Artist: Orchestre Symphonique De La Monnaie, Patrick Davin
Album: Philippe Boesmans: Pinocchio
Genre: Classical
Year: 2018
Label: Cypres
Tracks: 26
Duration: 02:03:41
Format: FLAC (tracks) 24bit, 48 kHz
Size: 1,16 GB

Tracklist:
1-01. Orchestre Symphonique la Monnaie & Patrick Davin – Pinocchio: Ouverture (00:01:34)
1-02. Orchestre Symphonique la Monnaie, Patrick Davin & Stéphane Degout – Pinocchio: Prologue (00:02:20)
1-03. Various artists – Pinocchio: Scène 1 (00:08:25)
1-04. Various artists – Pinocchio: Scène 2 (00:02:22)
1-05. Various artists – Pinocchio: Scène 3 (00:10:16)
1-06. Various artists – Pinocchio: Scène 4 (00:04:55)
1-07. Orchestre Symphonique la Monnaie, Patrick Davin & Julie Boulianne – Pinocchio: Scène 5 (00:02:32)
1-08. Various artists – Pinocchio: Scène 6 (00:03:21)
1-09. Various artists – Pinocchio: Scène 7 (00:05:03)
1-10. Various artists – Pinocchio: Scène 8 (00:02:59)
1-11. Various artists – Pinocchio: Scène 9 (00:04:42)
1-12. Various artists – Pinocchio: Scène 10 (00:02:06)
1-13. Various artists – Pinocchio: Scène 11 (00:05:18)
1-14. Various artists – Pinocchio: Scène 12 (00:07:51)
1-15. Various artists – Pinocchio: Scène 13 (00:09:12)
2-01. Various artists – Pinocchio: Scène 14 (00:08:51)
2-02. Various artists – Pinocchio: Scène 15 (00:03:10)
2-03. Various artists – Pinocchio: Scène 16 (00:06:10)
2-04. Orchestre Symphonique la Monnaie & Patrick Davin – Pinocchio: Scène 17 (00:01:49)
2-05. Various artists – Pinocchio: Scène 18 (00:04:34)
2-06. Various artists – Pinocchio: Scène 19 (00:03:41)
2-07. Orchestre Symphonique la Monnaie, Patrick Davin & Stéphane Degout – Pinocchio: Scène 20 (00:02:20)
2-08. Orchestre Symphonique la Monnaie, Patrick Davin & Stéphane Degout – Pinocchio: Scène 21 (00:01:41)
2-09. Various artists – Pinocchio: Scène 22 (00:07:50)
2-10. Orchestre Symphonique la Monnaie, Patrick Davin & Stéphane Degout – Pinocchio: Scène 23 (00:00:54)
2-11. Various artists – Pinocchio: Épilogue (00:09:32)

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Nineteen musicians in the pit, three on stage; resolutely tonal music in a straight line of succession running from Stravinsky, Prokofiev, Martinů, Weill; French lyrics more declaimed than sung – by, happily, Francophone singer-actors led by Stéphane Degout, Vincent Le Texier, Yann Beuron and Chloé Briot: this is the framework that Philippe Boesmans chose for his latest opera Pinocchio, recorded live at La Monnaie in Brussels. The script is the work of Joël Pommerat, and it aims for an hour and fifteen of the quasi-melodrama based on the style which was in vogue in the 19th century in which to showcase the baffling musical richness of Collodi’s work: and with immense success, it must be said. Pommerat is not necessarily looking to write a purely lyricalPinocchio, but rather to develop an opera within an opera, using Brecht’s favoured method of defamiliarisation, a sort of play-within-a-play, where “real” events alternate with narrative description of what’s happening or about to happen. This is, without a shadow of a doubt, a major work for the contemporary scene, a worthy 21st-century successor to the Magic Flute and its fantasy world, immersive, and full of illusions, prisms and invitations to new readings: in short, a masterpiece. And it can hardly come as a surprise that the subject hasn’t drawn the attention of more composers since it first appeared in 1881, as only cinema and television have really taken it seriously (and Disneyesque animations, heaping on the sugar), with the exception of Jonathan Dove’s unique 2007 work, The Adventures of Pinocchio

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