🎵 Orchestre National Bordeaux Aquitaine – Meyerbeer: Robert le Diable (2022) [FLAC 24-96]

Artist: Orchestre National Bordeaux Aquitaine
Album: Meyerbeer: Robert le Diable
Genre: Classical, Opera
Year: 2022
Label: Bru Zane
Tracks: 49
Duration: 03:36:42
Format: FLAC (tracks) 24 bit, 96 kHz
Size: 3,72 GB

Tracklist:
1-01. Orchestre National Bordeaux Aquitaine – Robert le Diable: Ouverture (00:03:27)
1-02. John Osborn – Robert le Diable, Act I: Introduction. Versez à tasse pleine (00:06:08)
1-03. Nico Darmanin – Robert le Diable, Act I: Ballade et Récit. Jadis régnait en Normandie (00:06:18)
1-04. John Osborn – Robert le Diable, Act I: Récit. Ô mon prince ! Ô mon maître ! (00:02:44)
1-05. Amina Edris – Robert le Diable, Act I: Romance. Va, dit-elle, va, mon enfant (00:06:50)
1-06. John Osborn – Robert le Diable, Act I: Récit. Je n’ai pu fermer sa paupière ! (00:06:54)
1-07. John Osborn – Robert le Diable, Act I: Scène. Le duc de Normandie, à vos plaisirs (00:01:23)
1-08. John Osborn – Robert le Diable, Act I: Sicilienne. Ô fortune ! à ton caprice (00:03:10)
1-09. John Osborn – Robert le Diable, Act I: Scène du Jeu. Quinze ! (00:04:41)
1-10. John Osborn – Robert le Diable, Act II: Entracte et Récit. Où me cacher, quelle horreur ! (00:03:19)
1-11. John Osborn – Robert le Diable, Act II: Prière et Marche. Oh ! ma mère, ombre si tendre (00:08:27)
1-12. Erin Morley – Robert le Diable, Act II: Récit et Air. Que je hais les grandeurs (00:12:35)
1-13. Amina Edris – Robert le Diable, Act II: Récit. Courage ! allons, montrez-vous à ses yeux (00:00:25)
1-14. Erin Morley – Robert le Diable, Act II: Duo. Avec bonté voyez ma peine (00:06:01)
1-15. John Osborn – Robert le Diable, Act II: Récit. À toi, Robert de Normandie (00:02:53)
1-16. Chœur de l’Opéra National de Bordeaux – Robert le Diable, Act II: Chœur dansé. Accourez au-devant d’elle (00:03:13)
2-01. Orchestre National Bordeaux Aquitaine – Robert le Diable, Act II: Pas de cinq (00:03:22)
2-02. Amina Edris – Robert le Diable, Act II: Récit et Finale. Quand tous nos chevaliers (00:02:25)
2-03. Amina Edris – Robert le Diable, Act II: Finale. La trompette guerrière (00:05:26)
2-04. Nico Darmanin – Robert le Diable, Act III: Entracte, Récit et Duo. Du rendez-vous voici l’heureux instant (00:08:41)
2-05. Nicolas Courjal – Robert le Diable, Act III: Valse infernale. Encore un de gagné ! (00:04:41)
2-06. Amina Edris – Robert le Diable, Act III: Récit. Raimbaut ! Raimbaut ! dans ce lieu solitaire (00:07:36)
2-07. Amina Edris – Robert le Diable, Act III: Scène. Ô ciel ! le bruit redouble (00:03:45)
2-08. Amina Edris – Robert le Diable, Act III: Duo. Mais Alice, qu’as-tu donc ? (00:07:09)
2-09. Amina Edris – Robert le Diable, Act III: Trio. Fatal moment, cruel mystère (00:04:15)
2-10. John Osborn – Robert le Diable, Act III: Récit. Qu’a-t-elle donc ? (00:03:15)
2-11. John Osborn – Robert le Diable, Act III: Duo. Si j’aurai ce courage ? (00:05:06)
2-12. Nicolas Courjal – Robert le Diable, Act III: Récit et Évocation. Voici donc les débris du monastère antique (00:05:21)
2-13. Orchestre National Bordeaux Aquitaine – Robert le Diable, Act III: Procession des Nonnes (00:02:58)
2-14. Nicolas Courjal – Robert le Diable, Act III: Récit. Jadis fille, du ciel, aujourd’hui de l’enfer (00:01:14)
2-15. Orchestre National Bordeaux Aquitaine – Robert le Diable, Act III: Bacchanale (00:04:12)
2-16. John Osborn – Robert le Diable, Act III: Récit. Voilà ce lieu, témoin d’un terrible mystère ! (00:02:27)
2-17. Orchestre National Bordeaux Aquitaine – Robert le Diable, Act III: Séduction par le jeu (00:03:42)
2-18. Orchestre National Bordeaux Aquitaine – Robert le Diable, Act III: Séduction par l’amour (00:03:07)
2-19. Chœur de l’Opéra National de Bordeaux – Robert le Diable, Act III: Chœur dansé. Il est à nous. (00:01:24)
3-01. Chœur de l’Opéra National de Bordeaux – Robert le Diable, Act IV: Entracte et Chœur. Noble et belle, Isabelle est sensible à vos vœux ! (00:04:41)
3-02. Erin Morley – Robert le Diable, Act IV: Récit et Chœur. Ciel ! (00:03:35)
3-03. John Osborn – Robert le Diable, Act IV: Récit. Du magique rameau qui s’abaisse sur eux (00:03:59)
3-04. Erin Morley – Robert le Diable, Act IV: Duo. Grand Dieu ! toi qui vois mes alarmes (00:04:27)
3-05. Erin Morley – Robert le Diable, Act IV: Cavatine. Robert, toi que j’aime (00:07:02)
3-06. Erin Morley – Robert le Diable, Act IV: Duo. Mon cœur s’émeut à cette voix touchante. (00:01:01)
3-07. Erin Morley – Robert le Diable, Act IV: Chœur et Strette. Quelle aventure ! est-ce un prestige ? (00:03:11)
3-08. Chœur de l’Opéra National de Bordeaux – Robert le Diable, Act V: Entracte et Chœur. Malheureux ou coupable (00:04:37)
3-09. John Osborn – Robert le Diable, Act V: Scène et Prière. Eh quoi ! (00:05:57)
3-10. John Osborn – Robert le Diable, Act V: Récit. Je conçois que ces chants puissent troubler ton âme. (00:02:08)
3-11. Nicolas Courjal – Robert le Diable, Act V: Air. Je t’ai trompé, je fus coupable (00:02:28)
3-12. Amina Edris – Robert le Diable, Act V: Récit. L’arrêt est prononcé, l’enfer est le plus fort (00:01:33)
3-13. Amina Edris – Robert le Diable, Act V: Trio. Que faut-il faire ? (00:10:48)
3-14. Erin Morley – Robert le Diable, Act V: Chœur aérien. Chantez, troupe immortelle (00:02:41)

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French grand-opéra specialist Marc Minkowski has at last recorded Robert le Diable, a jewel of the genre. A triumph at its premiere in November 1831, it captivated contemporaries, and its influence stretched as far as Verdi and Wagner. An imposing international cast brings this repertory cornerstone to life: John Osborn portrays a Robert at once valiant and tender, Amina Edris reveals her full resources in the perilous role of Alice, while idiomatic performances by Nicolas Courjal, Erin Morley and Nico Darmanin complete a line-up offering the most vivid contrasts of tessitura. Against the backdrop of a medieval legend, this fantastical work depicts a confrontation between Good and Evil, pitting against each other a group of protagonists torn between desire and duty. A foundational score of musical Romanticism – performed more than 750 times in the nineteenth century at the Paris Opéra alone – is now gradually emerging from oblivion.For his last season at the helm of the Opéra de Bordeaux, Marc Minkowski—always keen to conduct forgotten works which have, in some way, marked the history of music—sets his sights on Robert le Diable, Giacomo Meyerbeer’s opera which was a true social phenomenon in 19th century France. The Palazzetto Bru Zane – Centre de musique romantique française has followed suit by officially publishing this concert version, which also features some excellent vocal soloists.

Admired by Balzac, Sand and Dumas, this ‘grand opéra à la française’ (great French opera) faded into obscurity after the First World War. Its creator became a sort of pariah – one met with both condescension and mockery. With its ‘seductive and haunting melodies’ (Alexandre Dratwicki), it’s nevertheless a flamboyant work that greatly inspired his contemporaries, such as Verdi, who referred to it in La Traviata. The extraordinary impact of Robert le Diable was such that it was performed a great many times on every continent.

A true one-man band, Marc Minkowski has invested himself entirely in this undertaking, learning this vast score practically by heart and conducting it with his usual power and conviction. The international cast is full of surprises thanks to their deep understanding of the work and the protagonists’ fantastic pronunciation. This new release, to the credit of the Bru Zane label, revitalises our knowledge of this work that’s scarcely mentioned in specialised dictionaries. – François Hudry

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