Artist: Otis Redding
Album: Live At The Whisky A Go Go: The Complete Recordings
Genre: Soul, R&B
Year: 2016
Label: Stax
Tracks: 65
Duration: 04:47:26
Format: FLAC (tracks) 24bit, 96 kHz
Size: 6,15 GB
Tracklist:
01. Otis Redding – Introduction (Live / Set 1 / Friday, April 8, 1966) (00:00:33)
02. Otis Redding – I Canât Turn You Loose (Live / Set 1 / Friday, April 8, 1966) (00:04:43)
03. Otis Redding – Pain In My Heart (Live / Set 1 / Friday, April 8, 1966) (00:03:23)
04. Otis Redding – Good To Me (Live / Set 1 / Friday, April 8, 1966) (00:04:08)
05. Otis Redding – Just One More Day (Live / Set 1 / Friday, April 8, 1966) (00:06:04)
06. Otis Redding – Mr. Pitiful (Live / Set 1 / Friday, April 8, 1966) (00:02:06)
07. Otis Redding – (I Canât Get No) Satisfaction (Live / Set 1 / Friday, April 8, 1966) (00:05:28)
08. Otis Redding – Iâm Depending On You (Live / Set 2 / Friday, April 8, 1966) (00:02:59)
09. Otis Redding – Iâve Been Loving You Too Long (Live / Set 2 / Friday, April 8, 1966) (00:06:23)
10. Otis Redding – Good To Me (Live / Take 1 / Set 2 / Friday, April 8, 1966) (00:04:08)
11. Otis Redding – Security (Live / Set 2 / Friday, April 8, 1966) (00:03:05)
12. Otis Redding – Respect (Live / Set 2 / Friday, April 8, 1966) (00:02:10)
13. Otis Redding – Just One More Day (Live / Set 2 / Friday, April 8, 1966) (00:06:25)
14. Otis Redding – (I Canât Get No) Satisfaction (Live / Take 1 / Set 2 / Friday, April 8, 1966) (00:07:07)
15. Otis Redding – Any Ole Way (Live / Set 2 / Friday, April 8, 1966) (00:05:09)
16. Otis Redding – These Arms Of Mine (Live / Set 2 / Friday, April 8, 1966) (00:03:57)
17. Otis Redding – I Canât Turn You Loose (Live / Set 2 / Friday, April 8, 1966) (00:05:18)
18. Otis Redding – Pain In My Heart (Live / Set 2 / Friday, April 8, 1966) (00:02:49)
19. Otis Redding – Good To Me (Live / Take 2 / Set 2 / Friday, April 8, 1966) (00:04:01)
20. Otis Redding – (I Canât Get No) Satisfaction (Live / Take 2 / Set 2 / Friday, April 8, 1966) (00:08:31)
21. Otis Redding – Introduction (Live / Set 1 / Saturday, April 9, 1966) (00:00:40)
22. Otis Redding – Mr. Pitiful (Live / Set 1 / Saturday, April 9, 1966) (00:03:39)
23. Otis Redding – Good To Me (Live / Set 1 / Saturday, April 9, 1966) (00:03:56)
24. Otis Redding – Respect (Live / Set 1 / Saturday, April 9, 1966) (00:02:13)
25. Otis Redding – Just One More Day (Live / Set 1 / Saturday, April 9, 1966) (00:05:56)
26. Otis Redding – I Canât Turn You Loose (Live / Set 1 / Saturday, April 9, 1966) (00:06:12)
27. Otis Redding – Ole Man Trouble (Live / Set 1 / Saturday, April 9, 1966) (00:02:52)
28. Otis Redding – (I Canât Get No) Satisfaction (Live / Set 1 / Saturday, April 9, 1966) (00:08:33)
29. Otis Redding – Introduction (Live / Set 2 / Saturday, April 9, 1966) (00:01:12)
30. Otis Redding – (I Canât Get No) Satisfaction (Live / Set 2 / Saturday, April 9, 1966) (00:09:14)
31. Otis Redding – Any Ole Way (Live / Set 2 / Saturday, April 9, 1966) (00:04:43)
32. Otis Redding – Iâve Been Loving You Too Long (Live / Set 2 / Saturday, April 9, 1966) (00:06:29)
33. Otis Redding – Iâm Depending On You (Live / Set 2 / Saturday, April 9, 1966) (00:03:05)
34. Otis Redding – I Canât Turn You Loose (Live / Set 2 / Saturday, April 9, 1966) (00:06:02)
35. Otis Redding – Introduction (Live / Set 3 / Saturday, April 9, 1966) (00:00:27)
36. Otis Redding – Security (Live / Set 3 / Saturday, April 9, 1966) (00:02:39)
37. Otis Redding – Just One More Day (Live / Set 3 / Saturday, April 9, 1966) (00:05:19)
38. Otis Redding – These Arms Of Mine (Live / Set 3 / Saturday, April 9, 1966) (00:03:11)
39. Otis Redding – (I Canât Get No) Satisfaction (Live / Set 3 / Saturday, April 9, 1966) (00:06:43)
40. Otis Redding – I Canât Turn You Loose (Live / Set 3 / Saturday, April 9, 1966) (00:06:19)
41. Otis Redding – Chained And Bound (Live / Set 3 / Saturday, April 9, 1966) (00:04:52)
42. Otis Redding – Respect (Live / Set 3 / Saturday, April 9, 1966) (00:02:35)
43. Otis Redding – Introduction (Live / Set 1 / Sunday, April 10, 1966) (00:00:57)
44. Otis Redding – Iâm Depending On You (Live / Set 1 / Sunday, April 10, 1966) (00:03:49)
45. Otis Redding – I Canât Turn You Loose (Live / Set 1 / Sunday, April 10, 1966) (00:06:18)
46. Otis Redding – (I Canât Get No) Satisfaction (Live / Take 1 / Set 1 / Sunday, April 10, 1966) (00:06:08)
47. Otis Redding – Chained And Bound (Live / Set 1 / Sunday, April 10, 1966) (00:07:31)
48. Otis Redding – Just One More Day (Live / Set 1 / Sunday, April 10, 1966) (00:04:32)
49. Otis Redding – Any Ole Way (Live / Set 1 / Sunday, April 10, 1966) (00:03:59)
50. Otis Redding – Iâve Been Loving You Too Long (Live / Set 1 / Sunday, April 10, 1966) (00:03:55)
51. Otis Redding – (I Canât Get No) Satisfaction (Live / Take 2 / Set 1 / Sunday, April 10, 1966) (00:06:00)
52. Otis Redding – Introduction (Live / Set 2 / Sunday, April 10, 1966) (00:00:43)
53. Otis Redding – Destiny (Live / Set 2 / Sunday, April 10, 1966) (00:02:55)
54. Otis Redding – Security (Live / Set 2 / Sunday, April 10, 1966) (00:02:56)
55. Otis Redding – Good To Me (Live / Set 2 / Sunday, April 10, 1966) (00:03:34)
56. Otis Redding – Respect (Live / Set 2 / Sunday, April 10, 1966) (00:02:12)
57. Otis Redding – Chained And Bound (Live / Set 2 / Sunday, April 10, 1966) (00:06:56)
58. Otis Redding – Mr. Pitiful (Live / Set 2 / Sunday, April 10, 1966) (00:02:18)
59. Otis Redding – (I Canât Get No) Satisfaction (Live / Take 1 / Set 2 / Sunday, April 10, 1966) (00:06:27)
60. Otis Redding – Ole Man Trouble (Live / Set 2 / Sunday, April 10, 1966) (00:02:40)
61. Otis Redding – I Canât Turn You Loose (Live / Set 2 / Sunday, April 10, 1966) (00:04:49)
62. Otis Redding – A Hard Dayâs Night (Live / Set 2 / Sunday, April 10, 1966) (00:04:33)
63. Otis Redding – These Arms Of Mine (Live / Set 2 / Sunday, April 10, 1966) (00:04:15)
64. Otis Redding – Papaâs Got A Brand New Bag (Live / Set 2 / Sunday, April 10, 1966) (00:10:08)
65. Otis Redding – (I Canât Get No) Satisfaction (Live / Take 2 / Set 2 / Sunday, April 10, 1966) (00:04:00)
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By the spring of 1966, 24-year-old Otis Redding was a bona-fide star on the R&B and soul radio waves. The singer was enjoying the critical and commercial success of his third studio album, Otis Blue, and was watching his singles cross over to the (typically very white) pop charts. Redding had yet to be fully embraced by a white audience, and this weekend-long gig in Hollywoodâbooked at a venue known more for hosting hippies, and launching bands like The Doors, The Byrds and Buffalo Springfieldâwas a shrewd move to introduce Redding to a new market. In fact, Redding would be the first major soul act to perform on the Whiskyâs stage. In her liner notes, Lynell George adds context: âThe Strip, like much of 1960s Los Angeles, had invisible but tough to permeate dividing linesâŠRedding began to see this three-night run as just the right spark to help him jump over all those many linesâfrom star to superstar, from R&B/soul to pop, from all-black rooms to arenasâŠâ In the end, these Whisky sets (with Otisâ nine-piece band) did prove to be an important step in Reddingâs career, and introduced him to the emerging counter-culture of the 60s. Of the Whisky shows, The Doorsâ guitarist Robby Krieger said, âI remember standing right in front of the stage for the whole show. I never heard of Otis Redding before and I was amazed at the energy that he created on the stage.â A year later, Otis would be the star act at the Monterey Pop Festival, sharing a lineup that included Jimi Hendrix and The Who. Tragically, just as his career was reaching its peak, Reddingâs life would be cut short in a plane crash, in December 1967.
Redding has been inducted into the Rock ân Roll Hall of Fame, Georgia Music Hall of Fame and Songwriters Hall of Fame. He has been honored with a U.S. Postage stamp and won a Grammy Lifetime Achievement Award. Rolling Stone named him the eighth greatest singer of all-time and U.K.âs Q magazine ranked him at number four.
In his liner notes, Bill Bentley recalls, âReddingâs music had a power and urgency that grabbed you by the throatâŠThere wasnât any other singer like him then, and those of us who had discovered his music knew we were listening to the very essence of what soul music really was.â Bentley wasnât alone. The Los Angeles Timesâ music critic, Pete Johnson, covered one of Reddingâs sets that weekend, calling the performance, âThe most exciting thing the rock-worn room had ever harbored.â Reddingâs legacy is well known â his brief but iconic discography speaks for itself; but these particular recordings will allow fans to step back in time, and experience a pivotal moment in the rise of a star.