![? Otis Redding - Live At The Whisky A Go Go: The Complete Recordings (2016) [FLAC 24-96] Download](https://i0.wp.com/imghd.xyz/images/2022/07/29/0088807202094_600.jpg?ssl=1)
Artist: Otis Redding
Album: Live At The Whisky A Go Go: The Complete Recordings
Genre: Soul, R&B
Year: 2016
Label: Stax
Tracks: 65
Duration: 04:47:26
Format: FLAC (tracks) 24bit, 96 kHz
Size: 6,15 GB
Tracklist:
01. Otis Redding – Introduction (Live / Set 1 / Friday, April 8, 1966) (00:00:33)
02. Otis Redding – I Can’t Turn You Loose (Live / Set 1 / Friday, April 8, 1966) (00:04:43)
03. Otis Redding – Pain In My Heart (Live / Set 1 / Friday, April 8, 1966) (00:03:23)
04. Otis Redding – Good To Me (Live / Set 1 / Friday, April 8, 1966) (00:04:08)
05. Otis Redding – Just One More Day (Live / Set 1 / Friday, April 8, 1966) (00:06:04)
06. Otis Redding – Mr. Pitiful (Live / Set 1 / Friday, April 8, 1966) (00:02:06)
07. Otis Redding – (I Can’t Get No) Satisfaction (Live / Set 1 / Friday, April 8, 1966) (00:05:28)
08. Otis Redding – I’m Depending On You (Live / Set 2 / Friday, April 8, 1966) (00:02:59)
09. Otis Redding – I’ve Been Loving You Too Long (Live / Set 2 / Friday, April 8, 1966) (00:06:23)
10. Otis Redding – Good To Me (Live / Take 1 / Set 2 / Friday, April 8, 1966) (00:04:08)
11. Otis Redding – Security (Live / Set 2 / Friday, April 8, 1966) (00:03:05)
12. Otis Redding – Respect (Live / Set 2 / Friday, April 8, 1966) (00:02:10)
13. Otis Redding – Just One More Day (Live / Set 2 / Friday, April 8, 1966) (00:06:25)
14. Otis Redding – (I Can’t Get No) Satisfaction (Live / Take 1 / Set 2 / Friday, April 8, 1966) (00:07:07)
15. Otis Redding – Any Ole Way (Live / Set 2 / Friday, April 8, 1966) (00:05:09)
16. Otis Redding – These Arms Of Mine (Live / Set 2 / Friday, April 8, 1966) (00:03:57)
17. Otis Redding – I Can’t Turn You Loose (Live / Set 2 / Friday, April 8, 1966) (00:05:18)
18. Otis Redding – Pain In My Heart (Live / Set 2 / Friday, April 8, 1966) (00:02:49)
19. Otis Redding – Good To Me (Live / Take 2 / Set 2 / Friday, April 8, 1966) (00:04:01)
20. Otis Redding – (I Can’t Get No) Satisfaction (Live / Take 2 / Set 2 / Friday, April 8, 1966) (00:08:31)
21. Otis Redding – Introduction (Live / Set 1 / Saturday, April 9, 1966) (00:00:40)
22. Otis Redding – Mr. Pitiful (Live / Set 1 / Saturday, April 9, 1966) (00:03:39)
23. Otis Redding – Good To Me (Live / Set 1 / Saturday, April 9, 1966) (00:03:56)
24. Otis Redding – Respect (Live / Set 1 / Saturday, April 9, 1966) (00:02:13)
25. Otis Redding – Just One More Day (Live / Set 1 / Saturday, April 9, 1966) (00:05:56)
26. Otis Redding – I Can’t Turn You Loose (Live / Set 1 / Saturday, April 9, 1966) (00:06:12)
27. Otis Redding – Ole Man Trouble (Live / Set 1 / Saturday, April 9, 1966) (00:02:52)
28. Otis Redding – (I Can’t Get No) Satisfaction (Live / Set 1 / Saturday, April 9, 1966) (00:08:33)
29. Otis Redding – Introduction (Live / Set 2 / Saturday, April 9, 1966) (00:01:12)
30. Otis Redding – (I Can’t Get No) Satisfaction (Live / Set 2 / Saturday, April 9, 1966) (00:09:14)
31. Otis Redding – Any Ole Way (Live / Set 2 / Saturday, April 9, 1966) (00:04:43)
32. Otis Redding – I’ve Been Loving You Too Long (Live / Set 2 / Saturday, April 9, 1966) (00:06:29)
33. Otis Redding – I’m Depending On You (Live / Set 2 / Saturday, April 9, 1966) (00:03:05)
34. Otis Redding – I Can’t Turn You Loose (Live / Set 2 / Saturday, April 9, 1966) (00:06:02)
35. Otis Redding – Introduction (Live / Set 3 / Saturday, April 9, 1966) (00:00:27)
36. Otis Redding – Security (Live / Set 3 / Saturday, April 9, 1966) (00:02:39)
37. Otis Redding – Just One More Day (Live / Set 3 / Saturday, April 9, 1966) (00:05:19)
38. Otis Redding – These Arms Of Mine (Live / Set 3 / Saturday, April 9, 1966) (00:03:11)
39. Otis Redding – (I Can’t Get No) Satisfaction (Live / Set 3 / Saturday, April 9, 1966) (00:06:43)
40. Otis Redding – I Can’t Turn You Loose (Live / Set 3 / Saturday, April 9, 1966) (00:06:19)
41. Otis Redding – Chained And Bound (Live / Set 3 / Saturday, April 9, 1966) (00:04:52)
42. Otis Redding – Respect (Live / Set 3 / Saturday, April 9, 1966) (00:02:35)
43. Otis Redding – Introduction (Live / Set 1 / Sunday, April 10, 1966) (00:00:57)
44. Otis Redding – I’m Depending On You (Live / Set 1 / Sunday, April 10, 1966) (00:03:49)
45. Otis Redding – I Can’t Turn You Loose (Live / Set 1 / Sunday, April 10, 1966) (00:06:18)
46. Otis Redding – (I Can’t Get No) Satisfaction (Live / Take 1 / Set 1 / Sunday, April 10, 1966) (00:06:08)
47. Otis Redding – Chained And Bound (Live / Set 1 / Sunday, April 10, 1966) (00:07:31)
48. Otis Redding – Just One More Day (Live / Set 1 / Sunday, April 10, 1966) (00:04:32)
49. Otis Redding – Any Ole Way (Live / Set 1 / Sunday, April 10, 1966) (00:03:59)
50. Otis Redding – I’ve Been Loving You Too Long (Live / Set 1 / Sunday, April 10, 1966) (00:03:55)
51. Otis Redding – (I Can’t Get No) Satisfaction (Live / Take 2 / Set 1 / Sunday, April 10, 1966) (00:06:00)
52. Otis Redding – Introduction (Live / Set 2 / Sunday, April 10, 1966) (00:00:43)
53. Otis Redding – Destiny (Live / Set 2 / Sunday, April 10, 1966) (00:02:55)
54. Otis Redding – Security (Live / Set 2 / Sunday, April 10, 1966) (00:02:56)
55. Otis Redding – Good To Me (Live / Set 2 / Sunday, April 10, 1966) (00:03:34)
56. Otis Redding – Respect (Live / Set 2 / Sunday, April 10, 1966) (00:02:12)
57. Otis Redding – Chained And Bound (Live / Set 2 / Sunday, April 10, 1966) (00:06:56)
58. Otis Redding – Mr. Pitiful (Live / Set 2 / Sunday, April 10, 1966) (00:02:18)
59. Otis Redding – (I Can’t Get No) Satisfaction (Live / Take 1 / Set 2 / Sunday, April 10, 1966) (00:06:27)
60. Otis Redding – Ole Man Trouble (Live / Set 2 / Sunday, April 10, 1966) (00:02:40)
61. Otis Redding – I Can’t Turn You Loose (Live / Set 2 / Sunday, April 10, 1966) (00:04:49)
62. Otis Redding – A Hard Day’s Night (Live / Set 2 / Sunday, April 10, 1966) (00:04:33)
63. Otis Redding – These Arms Of Mine (Live / Set 2 / Sunday, April 10, 1966) (00:04:15)
64. Otis Redding – Papa’s Got A Brand New Bag (Live / Set 2 / Sunday, April 10, 1966) (00:10:08)
65. Otis Redding – (I Can’t Get No) Satisfaction (Live / Take 2 / Set 2 / Sunday, April 10, 1966) (00:04:00)
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By the spring of 1966, 24-year-old Otis Redding was a bona-fide star on the R&B and soul radio waves. The singer was enjoying the critical and commercial success of his third studio album, Otis Blue, and was watching his singles cross over to the (typically very white) pop charts. Redding had yet to be fully embraced by a white audience, and this weekend-long gig in Hollywood–booked at a venue known more for hosting hippies, and launching bands like The Doors, The Byrds and Buffalo Springfield–was a shrewd move to introduce Redding to a new market. In fact, Redding would be the first major soul act to perform on the Whisky’s stage. In her liner notes, Lynell George adds context: “The Strip, like much of 1960s Los Angeles, had invisible but tough to permeate dividing lines…Redding began to see this three-night run as just the right spark to help him jump over all those many lines–from star to superstar, from R&B/soul to pop, from all-black rooms to arenas…” In the end, these Whisky sets (with Otis’ nine-piece band) did prove to be an important step in Redding’s career, and introduced him to the emerging counter-culture of the 60s. Of the Whisky shows, The Doors’ guitarist Robby Krieger said, “I remember standing right in front of the stage for the whole show. I never heard of Otis Redding before and I was amazed at the energy that he created on the stage.” A year later, Otis would be the star act at the Monterey Pop Festival, sharing a lineup that included Jimi Hendrix and The Who. Tragically, just as his career was reaching its peak, Redding’s life would be cut short in a plane crash, in December 1967.
Redding has been inducted into the Rock ‘n Roll Hall of Fame, Georgia Music Hall of Fame and Songwriters Hall of Fame. He has been honored with a U.S. Postage stamp and won a Grammy Lifetime Achievement Award. Rolling Stone named him the eighth greatest singer of all-time and U.K.’s Q magazine ranked him at number four.
In his liner notes, Bill Bentley recalls, “Redding’s music had a power and urgency that grabbed you by the throat…There wasn’t any other singer like him then, and those of us who had discovered his music knew we were listening to the very essence of what soul music really was.” Bentley wasn’t alone. The Los Angeles Times’ music critic, Pete Johnson, covered one of Redding’s sets that weekend, calling the performance, “The most exciting thing the rock-worn room had ever harbored.” Redding’s legacy is well known – his brief but iconic discography speaks for itself; but these particular recordings will allow fans to step back in time, and experience a pivotal moment in the rise of a star.
